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" Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music,... "
Bacon and Shake-speare Parallelisms - Page 255
by Edwin Reed - 1902 - 441 pages
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Relational Group Psychotherapy: From Basic Assumptions to Passion

Richard M. Billow - Psychology - 2003 - 260 pages
...rest is silence' (V, ii, 368). Hamlet does not trust the Establishment, which he fears is parasitic: You would play upon me; you would seem to know my...out the heart of my mystery; you would sound me from my lowest note to the top of my compass - and there is much music, excellent voice, in this little...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - Literary Criticism - 2003 - 344 pages
...stops. 376 Guil. But these cannot I command to any utterance of harmony. I have not the skill. Ham. Why, look you now, how unworthy a thing you make of...play upon me, you would seem to know my stops, you 380 would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my...
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Shakespeare and the Human Mystery

J. Philip Newell - Literary Criticism - 2003 - 148 pages
...manipulate him, "how unworthy a thing you would make of me! You would play upon me [like an instrument]. You would seem to know my stops. You would pluck out the heart of my mystery. You would sound me from my lowest note to the top of my compass. . . . "Sblood, do you think I am easier to be played on than...
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Performance: pt. 1. Identity and the self

Philip Auslander - Performing Arts - 2003 - 488 pages
...psychological complexity that he's not all there, spread out on the surface, like a modernist painting. ("You would play upon me; you would seem to know my...stops; you would pluck out the heart of my mystery," complains Hamlet to Rosencrantz and Guildenstern.) By contrast, Frank Stella affirmed his own commitment...
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Instances of the Number 3: A Novel

Salley Vickers - Fiction - 2003 - 326 pages
...his so-called friends who try to manipulate him.' Why, lool^ you now, how unworthy a thing you mafye of me! You would play upon me; you would seem to know my stops . . . Hamlet says to Rosencrantz and Guildenstern, who are only playing the parts of friends, in reality...
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The Shakespeare Enigma

Peter Dawkins - Biography & Autobiography - 2004 - 159 pages
...for nothing, therefore, does Bacon make Hamlet say in exasperation to the artless Guildenstern: Ham. Why, look you now, how unworthy a thing you make of...out the heart of my mystery, you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ,...
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The Anatomy of Madness: Essays in the History of Psychiatry, Volume 1

William F. Bynum, Roy Porter, Michael Shepherd - Psychiatric hospitals - 2003 - 352 pages
...Guildenstern: But these cannot I command to any utterance of harmony, I have not the skill. Hamlet: Why look you now, how unworthy a thing you make of...out the heart of my mystery; you would sound me from my lowest note, to the top of my compass: and there is much music, excellent voice, in this little...
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The Construction of Tragedy: Hubris

Mary Anneeta Mann - Mimesis in literature - 2004 - 230 pages
...sound out Hamlet. The scene ends with Hamlet's emotional plea concerning the duplicity of their method: How unworthy a thing you make of me! you would play...stops; you would pluck out the heart of my mystery; . . . and there is much music, excellent voice in this little organ, yet cannot you make it speak....
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Shakespeare and Language

Catherine M. S. Alexander - Literary Collections - 2004 - 310 pages
...courrly playing upon him as a phallic pipe or recorder of which he accuses Rosencrant2 and Guildenstern: You would play upon me, you would seem to know my...out the heart of my mystery, you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice in this lirtle organ,...
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Shakespeare and the Classics

Charles Martindale, A. B. Taylor - Literary Criticism - 2011 - 340 pages
...ruled mysclf. Did they think I was nothing but a pipe to be played on as theit momenr's fancy chose?'' You would play upon me, you would seem to know my stops . . . 'Sblood, do you think I am easier to be play'd on than a pipe? (Hamles 3.2.364-370) Further curious...
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