Terms of Response: Language and the Audience in Seventeenth- and Eighteenth-Century Theory

Addison aesthetic affect argues Aristotle Aristotle's artifice artistic artistic language audience baroque beauty believes Boileau Bos's Bouhours Burke chapter concept Condillac critics David Hume delight Descartes Diderot discourse discussion distance Dominique Bouhours dramatic Du Bos eighteenth century emotion enthymeme essay Eudoxus experience expression faculty feeling fiction figures Francis Hutcheson human Hume Hume's Hutcheson ibid ideas illusion images imagination imitation interest involved judgment Kames kind language Laocoon less literary Mendelssohn metaphor mimetic mind mode moral move nature neoclassical notion object Origin of Language ornament painting Pallavicino passions perceive perception Peregrini pity and fear poem poet poetic poetry present qualities Quintilian Ralph Cohen reader Renaissance René Rapin representation represented response Rhetoric says seems sensation sense sentiment seventeenth century spectator style sublime taste Tesauro theater theatrical theory things thinking thought tragedy tragic pleasure truth University Press verbal visual Wellbery words