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Stands in the desert, shivering and forlorn,
A wintry figure, like a wither'd thorn.

The shelves are full, all other themes are sped;
Hackney'd and worn to the last flimsy thread,
Satire has long since done his best; and curst
And loathsome Ribaldry has done his worst;
Fancy has sported all her powers away
In tales, in trifles, and in children's play ;
And 'tis the sad complaint, and almost true,
Whate'er we write, we bring forth nothing new.
Twere new, indeed, to see a bard all fire,
Touch'd with a coal from Heaven, assume the lyre,
And tell the world, still kindling as he sung,
With more than mortal music on his tongue,
That He, who died below, and reigns above,
Inspires the song, and that His name is Love.

For, after all, if merely to beguile,
By flowing numbers, and a flowery style,
The tedium that the lazy rich endure,
Which now and then sweet poetry may cure;
Or, if to see the name of idle self,
Stamp'd on the well-bound quarto, grace the shelf,
To float a bubble on the breath of Fame,
Prompt his endeavour, and engage his aim,
Debased to servile purposes of pride,-
How are the powers of genius misapplied !
The gift, whose office is the Giver's praise,
To trace Him in His word, His works, His ways!
Then spread the rich discovery, and invite
Mankind to share in the divine delight,
Distorted from its use and just design,
To make the pitiful possessor shine,
To purchase, at the fool-frequented fair
Of Vanity, a wreath for self to wear,

Is profanation of the basest kind-
Proof of a trifling and a worthless mind.

A. Hail! Sternhold, then; and Hopkins, hail!--B. Amen.

If flattery, folly, lust, employ the pen ;

If acrimony, slander, and abuse

Give it a charge to blacken and traduce ;

Though Butler's wit, Pope's numbers, Prior's ease,
With all that Fancy can invent to please,
Adorn the polish'd periods as they fall,
One madrigal of theirs is worth them all.

A. 'Twould thin the ranks of the poetic tribe,

To dash the pen through all that you proscribe.

B. No matter; - we could shift when they were not ;

And should, no doubt, if they were all forgot.

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THE

PROGRESS OF ERROR.

Si quid loquar audiendum..

HOR. Lib. iv. Od. 2.

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SING, muse (if such a theme, so dark, so long,
May find a muse to grace it with a song),
By what unseen and unsuspected arts
The serpent Error twines round human hearts;
Tell where she lurks, beneath what flowery shades,
That not a glimpse of genuine light pervades,

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