Criticism: The Major Texts

action admiration ancient appear Aristotle Arnold artist beauty believe Ben Jonson blank verse called century character classical Coleridge comedy common criticism delight distinction drama Dryden effect Eliot emotion English Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt Johnson kind knowledge language learning less literary literature living Matthew Arnold means ment Metaphysical Poets mind modern Molière moral nature neoclassic neoclassicism ness never object particular passion perfect perhaps persons philosopher Plato play pleasure poem Poesy poet poetic poetry Pope present principles produced prose reader reason rhyme romantic romanticism Sainte-Beuve sense Shakespeare Sophocles soul speak style sublime T. S. Eliot taste theory things thought tion tragedy true truth unity verse whole words Wordsworth writing