ELOISA TO ABELARD. ARGUMENT. Abelard and Eloïsa flourished in the twelfth centu ry; they were two of the most distinguished persons of their age in learning and beauty, but for nothing more famous than for their unfortunate passion. After a long course of calamities they retired each to a several convent, and consecrated the remainder of their days to religion. It was many years after this separation, that a letter of Abelard's to a friend, which contained the history of his misfortune, fell into the hands of Eloïsa. This, awakening all her tenderness, occasioned those celebrated letters (out of which the following is partly extracted) which give so lively a picture of the struggles of grace and nature, virtue and passion. ELOISA TO ABELARD. IN these deep solitudes and awful cells, Where heavenly-pensi contemplation dwells, And ever-musing melanchy reigns; What means this tumult in a vestal's veins? Why rove my thoughts beyond this last retreat? Why feels my heart its long-forgotten heat? Yet, yet I love! From Abelard it came, And Eloïsa yet must kiss the name. Dear fatal name! rest ever unreveal'd, Relentless walls! whose darksome round contains Repentant sighs, and voluntary pains: Soon as thy letters trembling I unclose, Yet write, oh write me all, that I may join Griefs to thy griefs, and echo sighs to thine: Nor foes nor fortune take this power away; And is my Abelard less kind than they? Tears still are mine, and those I need not spare, Love but demands what else were shed in prayer; No happier task these faded eyes pursue; To read and weep is all they now can do. Then share thy pain, allow that sad relief; Ah, more than share it, give me all thy grief. Heaven first taught letters for some wretch's aid, Some banish'd lover, or some captive maid; They live, they speak, they breathe what love in spires, Warm from the soul, and faithful to its fires, Thou know'st how guiltless first I met thy flame, How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made ! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies. Let wealth, let honour, wait the wedded dame, August her deed, and sacred be her fame; Before true passion all those views remove; Fame, wealth, and honour! what are you to love? The jealous god, when we profane his fires, Those restless passions in revenge inspires, And bids them make mistaken mortals groan, Who seek in love for aught but love alone. Should at my feet the world's great master fall, Himself, his throne, his world, I'd scorn them all: Not Cæsar's empress would I deign to prove; More fond than mistress, make me that to thee! Ev'n thought meets thought, ere from the lips it part, And each warm wish springs mutual from the heart. Alas, how chang'd! what sudden horrors rise! Canst thou forget that sad, that solemn day, Come, with thy looks, thy words, relieve my woe; Ah, no! instruct me other joys to prize, Ah! think at least thy flock deserves thy care, Plants of thy hand, and children of thy prayer. From the false world in early youth they fled, By thee to mountains, wilds, and deserts led. You rais'd these hallow'd walls; the desert smil'd, And paradise was open'd in the wild. No weeping orphan saw his father's stores Our shrines irradiate, or emblaze the floors; No silver saints, by dying misers given, Here bribe the rage of ill-requited Heaven; But such plain roofs as piety could raise, And only vocal with the Maker's praise. In these lone walls (their day's eternal bound) These moss-grown domes with spiry turrets crown'd, Where awful arches make a noon-day night, And the dim windows shed a solemn light; Thy eyes diffus'd a reconciling ray, And gleams of glory brighten'd all the day. But now no face divine contentment wears, 'Tis all blank sadness, or continual tears. See how the force of others' prayers I try, (O pious fraud of amorous charity!) But why should I on others' prayers depend? Come thou, my father, brother, husband, friend! Ah, let thy handmaid, sister, daughter, move, And all those tender names in one, thy love! The darksome pines that o'er yon rocks reclin'd Wave high, and murmur to the hollow wind, The wandering streams that shine between the hills, The grots that echo to the tinkling rills, The dying gales that pant upon the trees, The lakes that quiver to the curling breeze; No more these scenes my meditation aid, Or lull to rest the visionary maid: But o'er the twilight groves and dusky caves, Long-sounding aisles, and intermingled graves, |