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unfit for a place in the parlor of the Christian family. We should not permit the principles of common-sense decorum to give place to the lawless vagaries of fancy and the hollow-hearted forms of artificial life. Under the gaudy drapery of smiles and flounces, of rustling silks and blandishments, there are hearts as brutish and stultified, and heads as brainless and incapable of gentle and moral emotion, and characters as selfish and ungenerous, as were ever concealed beneath the rags of poverty, or the uncouth manners and rough garb of the incarcerated villain!

It is, therefore, beneath the dignity of the Christian to permit his home to become in any way a prey to immoral and irreligious associations and influences. Like the personal character of the Christian, it should be kept unspotted from the world; and no spirit, no customs, no companions, opposed to religion, should be permitted to enter its sacred limits. Heedless of this important requisition, parents may soon see their children depart from the ways in which they were trained in the nursery, and at last become a curse to them, and bring down their gray hairs with sorrow to the grave.

Here is indeed the great fault of many Christian parents in the present day. They do not exert that guardian care they should over the social relations and interests of their children. They are too unscrupulous in their introduction to the world, and leave them in ignorance of its snares and deceptions. What results can they

look for if they permit their parlor tables to become burdened with French novels, and their children to mingle in company whose influence is the most detrimental to the interests of pure and undefiled religion? Can they reflect upon their daughters for forming improper attachments and alliances? Can they wonder if their sons become desperadoes, and ridicule the religion of their parents? No! They permitted them to dally with the fangs of a viper which found a ready admittance into their parlor; and upon them, therefore, will rest the responsibility,-yea, the deep and eternal curse! Woe unto thee, thou unfaithful parent; the voice of thy children's blood shall send up from the hallowed ground of home, one loud and penetrating cry to God for vengeance; and thou shalt be "beaten with many stripes." It will not only cry out against you, but cling to you!

Guard your parlor, therefore, from the corrupting influence of all immoral associations. Be not carried away by the pomp and glare of refined and decorated wickedness. Let not the ornaments and magnificence of mere outward life divert your attention from those hidden principles which prompt to action. In the choice of companions for your children in the parlor, look to the ornaments of the heart rather than to those of the body. Be not allured by the parade of circumstance and position in life: Be not carried away by that which may intoxicate for a moment, and then leave the heart in more wretchedness than before. Ever remember that the future con

dition of your children, their domestic character · and happiness, will depend upon the kind of company you admit in your parlor. This leads us to the consideration of the part Christian parents should take in the marriage of their children. This we shall investigate in our next chapter under the head of "Match-making."

CHAPTER XXIII.

MATCH-MAKING.

SECTION I.

THE RELATION OF PARENTS TO THE MARRIAGE CHOICE OF THEIR CHILDREN.

"YOUTH longeth for a kindred spirit, and yet yearneth for a heart that can commune with his own;

Take heed that what charmeth thee is real, nor springeth of thine own imagination;

And suffer not trifles to win thy love; for a wife is thine unto death!"

ONE of the most affecting scenes of home-life is that of the bridal hour! Though in one sense it is a scene of joy and festivity; yet in another, it is one of deep sadness. When all is adorned with flowers and smiles, and the parlor becomes the theater of conviviality and parade, even then hearts are oppressed with sorrow at the thought of that separation which is soon to take place.

The bridal is a home-crisis. It is the breaking up of home-ties and communion, a separation from

home scenes, a lopping off from the parent vine, an engrafting into a strange vine, and alas! too often, into a degenerate vine. As the youthful bride stands beside her affianced husband, to be wedded to him for life, and reflects that the short ceremonial of that occasion will tear her forever from the loved objects and scenes of her childhood-home, what tears of bitter sorrow adorn the bridal cheek, and what pungent feelings are awakened by her last farewell!

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'I leave thee, sister! we have played

Through many a joyous hour,

Where the silvery gleam of the olive shade
Hung dim o'er fount and bower.'

"Yes! I leave thee, sister, with all that we have enjoyed together; I leave thee in the memory of our childhood-haunts and song and prayer. We cannot be as we have been. I leave thee now, and all that has bound us together as one; and hereafter memory alone can hail thee, and will do so with her burning tear; therefore, kind sister, let me weep!

"I leave thee, father! Eve's bright moon,
Must now light other feet,

With the gathered grapes, and the lyre in tune,
Thy homeward steps to greet.'

"Yes, I leave thee, father! I receive thy last blessing; no longer shall thy protecting hand guide me; no longer shall thy smile be music to my ear. I leave thee, oh, therefore, let me weep!

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