 I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to...  Studies in Philology - Page 721926Full view - About this book
 | Samuel Taylor Coleridge - Aesthetics - 1817 - 312 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...unify. It is essentially vital, even as all objects (a* objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play... | |
 | Samuel Taylor Coleridge - Criticism - 1834 - 360 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The Fancy... | |
 | Samuel Taylor Coleridge - Literary Criticism - 1834 - 368 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...struggles to idealize and to unify. It is essentially ritiil, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has... | |
 | Samuel Taylor Coleridge - 1840 - 582 pages
...dissolves, diffuses, dissipates, in order I to re-create ; or, where fins process is rendered im! possible, fountain may prove the occasion of drought. Just and generous a ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Aesthetics - 1847 - 572 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...objects (as objects) are essentially fixed and dead." FANCY, on the contrary, has no other counters to play with, but fixities and definites. The fancy is... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Criticism - 1847 - 462 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.i4 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.i6 FANCY, on the contrary, has no other counters to play with, but fixities and definites. The... | |
 | Samuel Taylor Coleridge - 1847 - 282 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...unify. It is essentially vital, even as all objects (as _objects) are essentially fixed and dead.15 FANCY, on the contrary, has no other counters to play with,... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - Criticism - 1847 - 570 pages
...where this process is rendered rnipos- I sible, yet still at all events it struggles to idealize and I to unify, , It is essentially vital, even as all objects (as / objects) are essentially fixecTana1 dead.15 . J FANCY, on the contrary, has no other counters to play" with, 'btil fixities... | |
 | Samuel Taylor Coleridge - Criticism - 1848 - 458 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.15FANCY, on the contrary, has no other counters to play with, but fixities and definitcs. The... | |
 | 1848 - 722 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
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