Romance and Reformation: The Erasmian Spirit of Shakespeare's Measure for MeasureIt examines an assumption central to Shakespeare's inherited humanist tradition: that literature, and particularly drama, is capable of promoting a better society and it finds Shakespeare interrogating this assumption, asking whether drama that has been fashioned according to reformist principles of the great humanist educator Erasmus can, after all, achieve the remediating effects it seeks. |
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Contents
Acknowledgments | 9 |
The Logos in the Humanist Rhetorical Tradition | 24 |
Measure for Measure as Comic Romance | 55 |
Copyright | |
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Act Five action Angelo and Isabella audience authority bed-trick calumny characters Christ Christian humanism Christian humanist classical Claudio comedy comic romance context D. H. Lawrence death defines Desiderius Erasmus disguise divine drama Duke Vincentio Duke's dynamic eloquence enforcement English Erasmian Erasmus Erasmus's Escalus fiction fornication Friar Friar Lodowick gelo grace Heraclitean Heraclitus Hooker human humanist rhetoric Iago Isabella James Jesus John judgment justice and mercy Lady Folly language LB IV literal literary Logos London Lucio Mariana means Measure for Measure mediating method Midsummer Night's Dream mind mirror moral Moria natural law Othello paradox person persuasion philosophical play play's playwright principle Puritan reciprocity redemption Renaissance role Saint scene Scripture sense sexual Shakespeare Survey Sileni slander society soul speak spirit Struever syphilis theatre things Thomas thou thought tion tradition truth University Press Vienna virtue vision words York