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CONTENTS

The Supposes and Jocasta, by George
Gascoigne and others.

Tancred and Gismund, by R. Wilmot

and others.

Translations of Seneca's tragedies.
Plays at court between 1568 and 1580.

The same subject continued.....p. 27.

A Knack to know a Knave.
William Kemp's Merriments.
Sir Clyomon and Clamydes.

The Misfortunes of Arthur, by Thomas
Hughes and others.

The Rare Triumphs of Love and

Fortune.

The domestic tragedy described.
Arden of Feversham and the Yorkshire
Tragedy, attributed to Shakespeare.
A Warning for Fair Women.
Two Tragedies in One.

The Tragedy of Page of Plymouth.

The Fair Maid of Bristol, &c.

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Anthony Munday and his plays.
Michael Drayton's William Longsword.
George Chapman, one of Henslowe's

dramatists.

Henry Porter's productions.

Thomas Dekker, William Haughton,
and John Day.

Henslowe's connection with Shake-
speare's company.

Wentworth Smith.
Richard Hatheway.
John Webster.

Thomas Middleton.

Prolific talents of our old dramatists.

R. Greene's Menaphon, 1587, and Peri-
medes, 1588, quoted regarding dra-
matic blank-verse.

Proofs that Marlow wrote the two parts
of Tamburlaine the Great.

The first blank-verse play acted on the
public stage.

Examination of the two parts of Tam-

burlaine the Great.

Examination of the Life and Death of
Doctor Faustus.

Examination of the Massacre at Paris.
the Jew of Malta.
Edward the Second.
Inquiry into Marlow's Versification.
The true Tragedy of Richard, Duke of

York.

Personal particulars regarding Greene.
Greene's blank-verse for the stage.

Pandosto, Groat's-worth of Wit, and

other tracts, by Greene.

History of Orlando Furioso.

Friar Bacon and Friar Bongay.

James the Fourth.

George-à-Green, the Pinner of Wake-
field.

Alphonsus, King of Arragon.

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Lodge, Greene, and Kyd compared.
Lodge's novel of Rosalynde, the foun-
dation of As You Like It.

Wounds of Civil War.

Lodge's and Greene's Looking-Glass for
London and England.

His satirical and vituperative talents.

Play called the Isle of Dogs.

Contest with Gabriel Harvey.

Summer's Last Will and Testament.
Nash's and Marlow's Tragedy of Dido,
Queen of Carthage.

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The Classic Drama as opposed to the

Romantic Drama.

Tragedy of Cleopatra, by Daniel.

Tragedy of Philotas, by Daniel.
Lady Pembroke's Antony.

Samuel Brandon's Virtuous Octavia.

OLD THEATRES, THEIR APPURTENANCES, &c.

Account of the Old Theatres of London... . . p. 263.

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